French filmmaker Coralie Fargeat speaks to Christiane Amanpour about the grotesque violence society and women inflict on ...
Ever since she turned 40, French filmmaker Coralie Fargeat has been grappling with these chaotic thoughts that will be ...
The Substance, Coralie Fargeat’s outrageous new body-horror movie, ends the only way it can: in a great, explosive bloodbath.
But, as Moore, Qualley, and writer-director Coralie Fargeat explain to Entertainment Weekly, the ending of the film means a hell of a lot more than that — and its meaning transcends clear-cut ...
If there’s a critique to be made about the film, it’s that the satire and caricatures are a bit heavy-handed, with most of ...
You can’t help but sympathize — after the late ’90s, Hollywood essentially dropped Moore like a hot rock, at least as a ...
Demi Moore's latest project, The Substance, is being a success with critics, but it needs one more thing to really be her big ...
"Old age ain’t no place for sissies,” Bette Davis once famously quipped, and neither is “The Substance,” writer/director ...
With “The Substance,” director Coralie Fargeat does something genre classicists John Carpenter and David Cronenberg would ...
Fargeat wrote the prizewinning script after turning 40, as she grappled with feelings of obsolescence and inadequacy. “I had these massive thoughts that I had reached the age where I wasn’t going to ...